Art for Black Lives

Tahoe Activist Artists joined Black Lives Matter Tahoe for a peaceful rally and march from the commons last Friday. We had painters, singers and sculptors come out to use their art to amplify the message that we support our brothers and sisters in the fight for equality and justice.
 
Art for Black Lives is a call for a creative response to the protests in support of our black community.
 
#blacklivesmatter. Every person has the ability to stand up, be heard and spread #love. 🖤
 
Photos by Sheilah Boohthby for MakeTahoe.com
Art by Hailey Hutchison. Follow her on Instagram @hhartandprints
Artist Delena Britnell at Art for Black Lives. Instagram @delenabritnell http://www.delenabritnell.com/

 

 

Protest Sign – George Floyd. This piece will be auctioned to benefit Black Lives Matter Tahoe

 

Jessica Risconcente painting the names of 300 black people who have been killed by police into the Black Power symbol of a raised fist
I was working on a portrait of Fredrick Douglass during the event, bearing his words, “If there is no struggle, there is no progress”
Art by Hailey Hutchison. Follow her on Instagram @hhartandprints

Posted by Annie Davidson on Sunday, June 14, 2020

Annie Davidson singing “Sweet Lord” at the rally

Matt Kauffmann (left) and Hailey Hutchinson – Art for Black Lives fundraising.

The Incredulity of Saint Thomas (After Caravaggio)

The Incredulity of Saint Thomas (After Caravaggio) (Unfinished, 2018) Oil on Canvas 30×40″

I started this demo piece when I was teaching Oil Painting a couple of years back. I’d love to finish it one day! For now it hangs in our downstairs bathroom where I wash my brushes, and has lots of reminders in it about technique.

“The Incredulity of Saint Thomas was painted in the early years of Caravaggio’s residence and success in Rome (1602)

It is housed in the Sanssouci Picture Gallery, Potsdam, Germany. In this painting, Caravaggio depicts Thomas the Apostle’s doubting of Jesus’ resurrection as told in the Gospel of John, with Thomas looking at—and feeling—Jesus’ wounds.

This particular scene has been popularly recreated in art since the 6th century through a traditional stretching on to Caravaggio; it has since become symbolic of the conflict between Protestant and Catholic art as both traditions hold differing views of its value in teaching blind faith.

Both Rembrandt and Rubens also painted this particular episode in the 17th century. As with many of Caravaggio’s paintings, The Incredulity of Saint Thomas is swamped in theatrical darkness, bringing to life the central figures of Jesus and his apostles as if lit upon a stage. The absence of the usual halo around Jesus’ head is meant to emphasise the corporeal nature of Christ on earth. This painting has, unlike some of Caravaggio’s works, survived the Second World War when held in the Prussian royal collection.

By 1600, Caravaggio had gained considerable renown for his painting style and was commissioned by the Contarelli Chapel in the Church of St. Louis of the French (San Luigi dei Francesi) in Rome. Caravaggio delivered the Martyrdom of Saint Matthew and Calling of Saint Matthew to the Contrarelli Chapel in 1600.

The two paintings have since become a major tourist attraction. However, because of Caravaggio realism in painting heavenly themes, his paintings created a sensation in Rome as both dramatic and divisive. Caravaggio’s chiaroscuro technique was polarising to contemporary Catholic critics with some considering it vulgar.

Religious paintings had up to this point mostly been drawn from idealised imaginings of biblical and Godly themes. By contrast, Caravaggio used life models to render his work realistic, drawing the heavens down to earth and into nature.

Given the originality of this approach, Caravaggio was an instant success on the art scene; he went on to secure numerous high-profile and prestigious commissions for other religious works. However, Caravaggio was not without his own personal controversy; he was known to drink, to fight and brawl, eventually fleeing Rome for Naples in 1606 after murdering a young man, Ranuccio Tomassoni. “

Source: Caravaggio.net

 

Carolus-Duran (After Sargent)

Carolus-Duran (After Sargent) (2019) Oil on Canvas 20×16″

 

This master copy hangs in my studio now, reminding me of the lessons I’ve learned by copying masterworks like this one. It’s as if Carolus-Duran (and Sargent) are staring down at me, saying things like, “State the masses!”, “If it doesn’t work, scape it back!”, and “Squint!”

Note that Duran hangs behind my easel, giving me the hairy eyeball

John Singer Sargent 

Charles-Émile-Auguste Durand (1837–1917), known as Carolus-Duran, was a celebrated figure in the world of Parisian art and theater. Known for his elegant society portraits, he was also highly influential as a teacher. Sargent entered Duran’s studio in 1874 and became his star pupil. Duran’s approach was radical: he encouraged his students to draw and paint simultaneously, using a loaded brush. In this stylish portrait, which received an award when it was shown at the Paris Salon in 1879, Sargent pays homage to his teacher by embracing his fluid technique. The affectionate dedication to Duran, inscribed in French at the upper right, announces Sargent’s artistic pedigree but also caused some contemporary viewers to remark that the student had surpassed the master.

Source: MetMuseum

 

Human Trafficking Campaign (2018)

Myth of Choice (2018) Graphic Design by John Bollaert, Artwork by Shelley Zentner

 

The Tahoe Activist Artists ran a campaign during the SuperBowl this year in South Lake Tahoe. SuperBowl Weekend is the highest volume time for Human Trafficking in our community. We posted these signs on the back of restroom doors throughout the casinos, sports bars, gas stations, and grocery stores throughout the town. We were sponsored by Tahoe Douglas Rotary Club and Whittel High School Interact Program.

 

Know the Signs (2018) Graphic Design by John Bolleart, Artwork by Ellen Nunes

What is human trafficking?

According to The Trafficking Victims Protection Act of 2000:

Sex Trafficking: the recruitment, harboring, transportation, provision, or obtaining of a person for the purpose of a commercial sex act, in which the commercial sex act is indu- ced by force, fraud, or coercion. or in which the person induced to perform such act has not attained 18 years of age; and

Labor Trafficking: the recruitment, harboring, transportation, provision, or obtaining of a person for labor or services, through the use of force, fraud, or coercion for the purpose of subjection to involuntary servitude, peonage, debt bondage, or slavery.

Who is at risk?

Anyone can be at risk. Mostly girls, but also boys. Traffickers are expert manipulators, and prey on vulnerable young people. Contrary to what you might assume, it isn’t just vulnerable homeless or addicted people who can be trapped into modern slavery.

One method traffickers use is to recruit attractive young men nicknamed ‘Romeos’ to seduce young girls. This seduction or ‘grooming’ can happen via social media, websites like Craigslist, at sports events, or anywhere teenagers hang out unsupervised. The perpetrators often romance their victims, making them feel like they are entering a relationship, making them feel loved. They make promises and buy expensive gifts.

At some point the money ‘runs out’ and the victim is asked to ‘earn’ the money back, perhaps by stripping or having sex with someone. They are trapped.

What can I do to protect myself, my friends or my children?

Learn the signs and educate yourself about human trafficking.

Some of the signs that a person is being trafficked:

  • Is not free to leave or come and go as he/she wishes
  • Is under 18 and is providing commercial sex acts
  • Is fearful, anxious, depressed, submissive, tense, or nervous/paranoid
  • Exhibits unusually fearful or anxious behavior after bringing up law enforcement
  • Avoids eye contact
  • Appears malnourished
  • Shows signs of physical and/or sexual abuse, physical restraint, confinement
  • Has few or no personal possessions
  • Is not in control of his/her own identification documents (ID or passport)
  • Is not allowed or able to speak for themselves
  • Lack of knowledge of whereabouts and/or do not know what city he/she is in

Has numerous inconsistencies in his/her story

PROTECT – PRevention Organized To Educate Children on Trafficking

PROTECT is a human trafficking prevention education program that was developed in 2015 through a coalition of three nonprofits (3Strands Global Foundation, Love Never Fails, and Frederick Douglass Family Initiatives), in partnership with the Office of the Attorney General for the State of California, the California Department of Education, Cisco Systems, and the Institute for Social Research at Sacramento State University. Through this program, teachers and students are learning about red flags, protocols, and ways to prevent exploitation through an online curriculum that provides all classroom materials necessary.

To learn more, visit https://vimeo.com/protectnow/introvideo

3 Strands Global Foundation sponsored legislation which requires California public schools to teach California’s school-age population how to avoid becoming victims of exploitation, help them understand the problem of human exploitation and learn ways to address the problem through service initiatives.

In January 2018, The Human Trafficking Prevention Education and Training Act became law.

“In my 26 years of teaching, this is the first of its kind that I’ve ever encountered as an educator. I feel I’m now more empowered as an educator and a protector of children.”

– Ed M, Teacher, Vallejo City Unified School District

“When we moved from Las Vegas to a sleepy suburb of Sacramento, I never dreamed our family would be directly affected by this heinous crime. However, our 17-year-old was taken from the local grocery store, driven to a motel in the Bay Area, drugged and pimped out through ads on craigslist and repeatedly raped by men looking for sex with underage girls.”

– Vicki Mead, Co-Founder of 3Strands Global Foundation, Mother of a Survivor

 

Call the National Helpline number: 800-373-788 anonymously for help

Fundamental Freedoms Exhibition in Oakland 2020 (hopefully!)

I spoke to Ron Scroveni, owner of the Warehouse 416 Gallery recently about my show in October. With the revolution going on all over the US, which are causing a lot of damage in places, and the COVID19 lockdown I wondered whether we’d still be doing the show. I’d actually written it off in my mind a while ago, thinking we’d have to delay at least a year. He was surprisingly optimistic and upbeat, which was nice. There’s so much to be depressed and angry about right now, that it was pretty awesome to hear hope in his voice.

I asked if his gallery neighborhood had been damaged by the protesters. “Oh yes,” he told me, “we’re right in the thick of it. They haven’t damaged any of the galleries though, so that’s good!” Maybe they’re all art lovers?

I wholeheartedly support the movement to end institutional racism, and to dismantle the militarized police force. I am anti-racist, an ally, and an activist artist. I understand that there is a deep wound in our brothers and sisters, that will not be healed without major transformation of the system, and our collective attitudes. I understand that there is anger, a lot of it. But damaging property and looting is never ok, in my opinion.

So, depending on the lockdown restrictions in October, we’re hoping the show will happen. The Fundamental Freedoms collection is an educational resource, that I hope will help the cause. A donation is made to the charity most connected to each painting.

When draw murdered faces, activists, auction artwork for the cause, when I hold up my sign at a peaceful protest, I just want to say, “I see you. I want to help.”

Let’s hope the show will happen!

Art of Ashtanga: Artists Reception

Sunday, November 3rd | 5-7pm at

Tahoe Yoga Shala

585 Tahoe Keys Blvd, Suite F1A, South Lake Tahoe, California 96150

Admission is free, and light refreshments will be served.

 

Join us in celebration of the continued collaboration between the Tahoe Yoga Shala and local artist, Shelley Zentner. The Shala and Shelley have teamed up to create instructional fine art drawings of the Ashtanga Primary Series. Each drawing is a study of the poses that comprise the Primary Series and were used as visual guidance in the Shala’s Ashtanga Yoga Teacher Training Manual. Every drawing is an original, one-off artwork, created with charcoal on Stonehenge Archival paper.

All original drawings will be for sale. Custom prints, the Teacher Training Manual and special edition Full Primary Series charts will also be available for purchase. A percentage of the profits will be donated to local causes and charities to which we feel connected. Advance reservations of specific poses can be made by contacting Shelley at shelley.zentner@gmail.com. Watch time-lapse videos and learn more about the artistic process by following Shelley on Instagram @ShelleyZen.

Save the Date!

So I’ve finally finished all 74 (I think? I keep losing count…) drawings for our Art of Ashtanga project. Phew! That was some intense work, I tell you. A year of hard work, juggling family life, my own teaching job, and a massive, research-heavy mural project on American industrial agribusiness (more to come about that soon.)

Malcolm Gladwell wrote in his book ‘Outliers’, about the ‘10,000-Hour Rule’, claiming that the key to achieving world-class expertise in any skill, is, to a large extent, a matter of practicing the correct way, for a total of around 10,000 hours. I didn’t come anywhere near that, probably closer to 1000 hours, but I definitely saw a huge transition from the tentative early drawings to the confident finishing poses. I feel like that mirrors the experience of learning Ashtanga yoga, and I love the earlier pieces as much as the later ones. You have to embrace the whole journey, I reckon. All part of the process.

The teacher training has been completed, and the finished manual looks amazing. Massive respect to our graphic designer Aubrey Coon for her beautiful work, and also the brains of the operation Laura Josephy for assembling and organizing a mind-bendingly huge amount of information. It’s a great feeling to witness a direct application of your work in a teaching process, especially as it’s a practice I love personally.

If you’d like to see the originals all in one place, Tahoe Yoga Shala is hosting an artists reception on November 3rd from 5-7pm. It’s a one night pop-up show, and we’ll attempt to hang as many drawings as we can in two laps of the studio. It’s a free event, and we’ll have wine and nibbles too.

I’ve been ordering some lovely print samples from the incredible Millers Professional Lab, on silver paper, matte fine art paper and even aluminium. They’re stunning. Even the invites are sparkly. So come and join us for a celebratory tipple, and maybe go home with some yoga inspiration for your practice space. Namaste 🙂

The Art of Ashtanga Story

 

When my yoga teacher, Laura Josephy asked me if I’d be interested in drawing every pose in the Ashtanga Yoga Primary Series for her teacher training manual, I jumped at the opportunity. I love drawing the human figure, and the challenge of making 75 studies felt like an extension of my own yoga practice, and an opportunity to deepen my understanding of anatomy.

What I hadn’t anticipated was the profound nature of the journey, both artistically and personally.

I’m learning so much from the repetition and discipline required to work with this much consistency. The fine nature of the drawing style requires a level of concentration and absorption I haven’t experienced since I was an art student. I have a yoga anatomy book under my easel, along with David Swenson’s seminal Practice Manual for reference.

Uniting other disciplines with art is not a new venture for me. I graduated from the University of the West of England in 1997, with a degree in Art and Visual Culture. The program was an experimental blend of studio art, philosophy, theology, politics and history. It suited me because I love ideas as much as I love making art. To me they’re inextricably linked.  I’ve always had a very broad range of academic interests, and I’m not and expert at anything – I just have a childlike curiosity about things and find connections intriguing.

This curiosity has led me to combine art with many different fields of study, such as science and cultural politics. I also use my art for social and political activism and founded the local group Tahoe Activist Artists in 2017. The imagery that manifests in my work is usually centered on the human form although I like to spend time outdoors, communing with nature. I fill sketchbooks with observations of landscape and nature, working out ideas and emotions with words and images combined.

I first came to Ashtanga around 12 years ago, not long after I moved to Tahoe from Wales. My husband and I had met whilst bouldering our way around Canada and the US. I didn’t have my work visa yet, so I took a few classes at Lake Tahoe Community College for something to do, and to connect with like-minded people. I took oil painting and figure drawing with Phyllis Shafer and Ashtanga with Amrito Cross. I was too committed to climbing to maintain a regular practice though, and soon ended my daily practice after the quarter was finished.

I began practicing yoga again last October after I realized that I had to let go of climbing after 21 years. I was diagnosed with endometriosis and breast cancer in 2015, and the treatments, trauma and surgeries have changed my life. The transformative nature of the disease has presented me with what I call the ‘dark gift’. Meditation and a new spiritual practice brought me to the realization that I needed physical activity which nurtured my body and soul in a way that climbing no longer did.

Ashtanga initially attracted me because it reminded me of a long, technical boulder problem. Visualization, memorization of sequence, and fine, meditative, detailed work balanced with the big movements or gestures are the qualities of bouldering and art that I love. I find this again in yoga, with a different language that translates to the same thing.

When I can practice regularly, I feel at one with the world. The nature of Mysore style classes allows for a personal journey, supported by caring teachers. I feel part of a community again, and I also enjoy occasional Yin and flow classes. My body feels strong and supple, and I feel nurtured and empowered. The athletic nature of this practice satisfies my need to be physically energetic. The spiritual, meditative aspect of the practice calms my mind, makes me feel connected to the universe, and helps release the tension of my body.

I’m profoundly grateful to have found the Shala, my teachers, and to have the opportunity to explore my practice in more depth through art. It makes me happy to know that the drawings will continue in their journey as a teaching tool, and find purpose in the education of a new generation of instructors.

The project will be completed in March 2019, just ahead of the 200-hour RYT Teacher Training and Mysore Style Apprenticeship at the Shala.

There will be an opportunity for the public to view the first 30 original drawings, for one night only. An intimate gathering will be held at the Shala at 585 Tahoe Keys Blvd, on Sunday, November 11th, from 6 – 8 pm. Wine and hors d’oeuvres will be served, and admission is free. Yoga teachers Laura and Kacey will be present to share and discuss the Ashtanga practice and teacher training. All drawings will be for sale, and a percentage of the profits will be donated to causes they feel connected to.

Watch timelapse videos and learn more about the artistic process by following me on Instagram @ShelleyZen. Learn more about Tahoe Yoga Shala at www.tahoeyogashala.com